An anniversary whose date won’t mean much, but whose picture certainly will, involves another aircraft. This time it’s a Boeing 707 that, as far as we know, goes on to fly many more trouble-free miles as a transatlantic clipper. Just over forty-seven years ago Flight 101 lands at New York and on board are a British rock and roll band. They are photographed descending those Pan-Am steps whose blue confident logo was irretrievably and fatally stamped on the hellish images from Lockerbie in 1988. To a wage-earning musician in America in those days, from lounge jazz trios, doo-wop groups to bourbon-laced crooners, it was a day that would profoundly affect their collective futures.
America, the home of jazz and rock and roll, had managed, by its sheer wealth of material, talent and entrepreneurial chutzpah, to turn entertainment into an industry.