Showing posts with label wiltshire. Show all posts
Showing posts with label wiltshire. Show all posts

Monday, 2 December 2013

Twist Of Fete



I've always loved comic art. The information conveyed with the least amount of time spent on shading, but a lot of time devoted to the important bits. Like the story. My comic history included The Topper, The Beezer (I wasn't allowed the Beano, probably not broadsheet enough, I suppose) and when I was seven, I found myself staring in disbelief at Dan Dare and Digby ("Suffering sputniks, Dig!...") driving Anastasia full tilt towards some hellish planet that needed a bit of firm policing. 

I can still remember the whole back page being devoted to something boring like the life of Winston Churchill or Montgomery, but the drawing was unbelievable, it was Frank Bellamy, the One True Master, wielding the steady pen, and drawing with such flair and drama that I can still remember where I was and the details. (The guns at Alamein preparing for the barrage,and a speech bubble that just said 'Blimey'). It was at the convent in East Cowes in 1957; what made the drawing extra tasty was the day before Sister Katarina had come down hard on naughty Henry Thornton who had used it. She smacked him twice on his face (they were hard bitches, all) and told him never to say it again. Yeah, right. I wonder if Jesus knew he was married to such violent, unhappy women. Maybe he should have given them more attention.

I didn't pursue the comic art thing; there were too many good people. What inspires can also be a bit over-awesome.

THE WONDERFUL AND INCREDIBLE FRANK BELLAMY
Anyway, it didn't stop me, years later, to produce an image of Semley village fete. All my Dorset mates are in there as well as a bloke in red trousers; Leo's there, Charlie from the Beckford, Sara and Juliet are in place; loads of dogs, and even though they weren't around; I put my daughters with their incredibly timid and emotional Irish Wolfhound, Pixie. Aww.

I loved doing it, and though my technique is necessarily rather laconic (it's just traced on Photoshop), the colours are fun; and importantly it's an attempt to get away from the more painterly, conservative stuff you expect to see that deals with life in the country. Also you get to take a few liberties if that's your wont (it is mine).
If you look closely you'll see Bob Dylan looking pretty in his Pierre Cardin suit and boots. He's listening to the band play Dirty Old Town, and probably thinking he should get back to his folk roots.

Hence the title.






Thursday, 14 June 2012

Life drawing classes: clothed and unclothed




This is a flyer I designed to promote life-drawing classes at Ashley Wood Farm. Clare, who runs Ashley is very keen that there is a space to produce work, and also to exhibit. I'm really grateful to her for this fantastic opportunity; I loved teaching it years ago – all the pupils were women, and mostly, so were the models – I didn't so much teach as encourage and cajole, and the results, especially from the novices (though nobody, strictly speaking, is a novice at drawing) were spectacular in their energy and spontaneity.

Classes are £20 for two-hours with either a clothed model (10-midday) or nude model (6.30-8.30pm). So you pay £100 for five lessons, telling me in advance, if possible, what sessions you can attend. 

Materials needed: Drawing board (20 x 30") paper and drawing equipment (charcoal, pencils etc) 

NB Don't forget a can of fixative (it stops the charcoal from smudging). A cheap version of this is hairspray! The studio has big windows, so the smell won't hang around for long!

I want to arrange an exhibition which features drawings from these classes at Ashley Wood, where we can have a proper Private View, drink white wine and listen attentively to the murmurings of adulation from friends and public alike. 


With live music and canapes. Whatever they are.

So, I can't wait to start again. I have to get people to commit to 5 weekly classes, but if for some reason they can't make the whole block, they will be credited for the sessions they miss.

The morning sessions will end at midday, and it is hoped to extend these to a lunch at the Beckford Inn nearby.

But I mustn't get too carried away.





Tuesday, 17 January 2012

Dare 2 Festival: Chore-free design




LOGO-FREE ZONE

Jeeeze, it's been a while since the last post, but since I don't blog from home, I haven't really had time to catch up. There's another festival looming, well, looming as Summer has every right to be in this iron-cold January day, and I've had a lot of fun over the weekend getting some images prepared for this family-friendly get-together.